Ornament met doedelzakspelende putto 1530 - 1540

This engraving of a bagpipe-playing putto, surrounded by decorative foliage, was created in the 16th century by the artist known only as Monogrammist VG. During the Renaissance, classical motifs were revived and reinterpreted, reflecting a renewed interest in ancient art and culture. The putto, a cherubic figure often seen in classical art, became a popular symbol of innocence and divine love. However, here the figure also reflects the social context of the time. Representations of childhood innocence and beauty were often interwoven with the realities of child labor and high mortality rates. The bagpipe introduces a worldly contrast to the religious themes of the time, hinting at the intersection of sacred and secular life. The instrument, typically associated with folk music and popular entertainment, brings a sense of vitality, while the surrounding foliage serves as a reminder of the natural world and the passage of time. The engraving invites us to reflect on the complexities of life, where beauty and innocence coexist with the realities of human existence.