Portrait of Carl XI by David Ehrenstrahl

Portrait of Carl XI 1643 - 1698

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oil-paint, canvas

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portrait

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baroque

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portrait image

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portrait

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oil-paint

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canvas

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male portrait

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portrait reference

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portrait head and shoulder

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history-painting

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realism

Dimensions: 144 cm (height) x 120.5 cm (width) (Netto)

Curator: Here we have David Ehrenstrahl's "Portrait of Carl XI," believed to have been painted sometime between 1643 and 1698. The oil on canvas, residing here at the SMK, is a rather imposing piece. Editor: It is that! My initial feeling is, well, it's Baroque grandiosity cranked up to eleven. All that swirling fabric, the armor... and is that a lion? Curator: Indeed. The lion, of course, is a classic symbol of kingship, strength, and courage. Its inclusion here isn't just decorative; it reinforces the image of Carl XI as a powerful ruler. The lion is often associated with royalty across cultures and throughout history. It's visual shorthand for authority. Editor: I get it, but he doesn't look all that imposing himself. More like a slightly bored teenager forced to dress up for a really stuffy party. I wonder if the artist was going for something... other than pure adulation? Curator: That’s a keen observation. Ehrenstrahl was quite adept at injecting nuance into his portraits. The formal elements – the crown nearby, the scepter he holds, and the detailed armor – are juxtaposed with what you astutely perceive as a less-than-commanding presence. This tension might reflect the complex reality of Carl XI's reign, perhaps hinting at internal struggles or the burdens of leadership. Editor: So it’s not just a pretty picture, but a layered representation of power, expectation, and maybe a little bit of teenage angst? Makes the portrait far more compelling. Curator: Precisely. The cultural memory embedded here reflects not just the image the monarchy wished to project, but also a potential glimpse into the human behind the crown. Editor: Well, now I see this portrait with fresh eyes. All that bombast hiding something a little more vulnerable, perhaps. It makes you wonder about all those seemingly straightforward symbols and what secrets they might keep. Curator: Indeed. And that's the continuing allure of icons – they are rarely as simple as they appear. Editor: It feels like peeking behind the curtain, doesn’t it? Okay, on to the next grand mystery!

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