The Jetty 1906

Theo van Rysselberghe painted The Jetty with what looks like oil on panel, using the pointillist technique of small, distinct dots of color. It's a way of building an image slowly, and a reminder that paintings are built, not just ‘done’. If you look closely at the water, you'll see how he uses blues, violets, and even pinks. The painting's surface is alive with texture because each little dab of paint stands on its own. This creates a shimmering effect, almost like the water is breathing. The way the light hits the wooden posts and the railings of the jetty – you can almost feel the sun on your skin. Notice the dedication in the lower corner: “pour ma Beth”. Van Rysselberghe’s approach reminds me a bit of Seurat, but there's something uniquely his in the way he captures light and atmosphere. It's a reminder that art is an ongoing conversation and exchange of ideas.