Orientale im Mantel, nach rechts gewandt c. 1470 - 1480

Gentile Bellini made this drawing of an oriental figure in a cloak with pen and brown ink on paper. The material is fundamental: paper as a means of circulation, for disseminating images. Bellini was a master of line; look at the hatching he used, the closely spaced parallel lines, to create a sense of volume and shadow. This was not just a demonstration of technical virtuosity. It was a means of bringing information back to Venice after his trip to Constantinople in 1479-81. Commissioned by the Venetian government, Bellini was part of a delegation to the court of Mehmet the Second. This artwork, like many others, served as a visual record of his encounters. The drawing’s success lies in how the lines evoke texture, weight, and the fall of light. Bellini's approach transcends mere documentation. It highlights a cross-cultural exchange that influenced artistic conventions, and our understanding of how art and craft traditions are interconnected.