Orientale mit spitzer Mütze, nach links gewandt by Gentile Bellini

Orientale mit spitzer Mütze, nach links gewandt c. 1470 - 1480

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drawing, ink, pencil

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portrait

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drawing

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figuration

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11_renaissance

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ink

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pencil drawing

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pencil

Copyright: Public Domain

Editor: This drawing, "Orientale mit spitzer Mütze, nach links gewandt," which translates to "Oriental with pointed hat, facing left," was created by Gentile Bellini around 1470 to 1480. It's rendered in pencil and ink. I’m really struck by the texture of the clothing, especially the vertical lines of the lower garment and how that contrasts with the softer shapes above. What draws your eye when you look at this piece? Curator: I am immediately compelled by the work's formal economy. Note the precision and restraint of Bellini’s lines. He skillfully uses hatching and cross-hatching to create the illusion of depth and volume on the figure’s form. Observe the way the light gently models the face, and how it delicately articulates the folds of the garment. Consider how the linear construction emphasizes the structure and form of the figure, which really activates the space of the page. It’s a delicate balance, don't you think? Editor: Absolutely! The precision is really evident, particularly in the face. It makes you wonder, though— is it just an exercise in skill, or is there something more Bellini is trying to communicate about the sitter? Curator: The intrinsic value lies in the articulation of form itself. Note that his skillful employment of line does more than simply record external appearances. Bellini also seems interested in a more nuanced consideration of planar recession, spatial balance, and value relationships as key aspects of this study. Do you see, now, that any additional symbolism would be subordinate to that intention? Editor: I think I’m beginning to, yes. I was so focused on who this person *is*, but maybe the *how* is really the key thing here. Curator: Precisely. Close study of works such as this shows us how seemingly simple materials such as pencil and ink may offer an entry point to a deeper comprehension of compositional practice. Editor: That’s given me a totally different perspective. I came in expecting symbolism, but it's been helpful to think instead about just line and form. Thanks so much for your thoughts.

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stadelmuseum's Profile Picture
stadelmuseum over 1 year ago

The drawings Obj. Nos. 3956 Z und 3957 Z belong to a group of drawings showing figures in oriental garb, traceable back to a journey Gentile Bellini made to the court of Sultan Mohammed II in Constantinople. These two sheets were carried out by members of his workshop after his return. The aim of the depictions was to replicate the exotic figures as faithfully as possible. Rendered exclusively in pen and ink, the subjects are precisely outlined, the interior details executed with parallel and cross-hatching. Despite the interior modelling, however, they have an oddly rigid appearance and give the impression of having been copied.

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