Jonge sparren bij een beek after 1854

Johannes Tavenraat sketched "Young spruces by a stream" using graphite on paper, capturing a seemingly tranquil scene. Yet, landscape art of the 19th century wasn't always just about pretty scenery. It was deeply intertwined with notions of national identity and belonging. Tavenraat, working in a time of emerging Romantic nationalism, presents us with more than just trees. He gives us the sense of the Dutch landscape itself. Think about it: Who gets to claim ownership of the land? Who decides what it represents? By focusing on the “young spruces,” is Tavenraat suggesting a sense of potential, of growth and renewal for the nation? Or, is he pointing to the pre-existing landscape? Consider this sketch as an invitation to reflect on the stories we tell ourselves about our relationship to the land and each other.