Scène voor een notariskantoor by Pieter (II) Wagenaar

Scène voor een notariskantoor 1757 - 1808

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Dimensions: height 123 mm, width 82 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Pieter Wagenaar's drawing, "Scène voor een notariskantoor," likely created sometime between 1757 and 1808. Look closely; it's executed in pen and ink. Editor: Immediately, the sheer quantity of figures strikes me! It has a bustling, almost chaotic energy. It also has an amazing degree of sartorial detail for such a seemingly spontaneous sketch. What about you? Curator: What grabs my attention is how Wagenaar has used readily available, everyday materials, like pen and ink, to construct a layered social commentary on class and profession. See how the ink defines form? Editor: Indeed, and the location itself– a notary's office –becomes a stage for these characters. Look at their costumes! Enormous hats, powdered wigs – clear indicators of wealth and status, practically screaming the visual language of aristocracy. There's also an obvious contrast with the building material; simple brick. Curator: Yes, and I’m curious about the papers the notary holds. Are they land deeds? Wills? They represent power, but also labor and transaction. Think of the embodied labor to produce these garments. Editor: Consider also the figure kneeling before the notary. It’s difficult to make out precise details, but their hunched posture is a timeless signifier of subservience. It certainly plays into the larger historical narrative of social hierarchy! The symbolism continues with all the posted handbills, evoking transience. Curator: Wagenaar's work transcends mere depiction; it actively participates in shaping and revealing material relations of power, showing how such a moment can depend on the creation of materials that display that moment. Editor: Yes, after discussing all the elements that constitute this seemingly unassuming pen and ink sketch, I can better understand the artist's clever employment of universal symbols and his sensitivity to detail. Curator: Ultimately it shows how meaning and materials interact, and can sometimes work in a fascinating tension to give an overall emotional weight.

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