Den fortabte søns hjemkomst by Anonymous

Den fortabte søns hjemkomst 17th century

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print, engraving

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narrative-art

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baroque

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print

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old engraving style

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figuration

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genre-painting

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engraving

Dimensions: 234 mm (height) x 173 mm (width) (plademaal)

Curator: Here we have an engraving from the 17th century titled "Den fortabte søns hjemkomst", which translates to "The Return of the Prodigal Son." The medium is print and it’s currently located at the SMK, the National Gallery of Denmark. Editor: My initial reaction is drawn to the almost chaotic composition—it feels crowded, filled with both joyous activity and an underlying tension, all rendered through intricate linework. Curator: Indeed. Note how the engraver uses line density and hatching to suggest form and shadow. The focal point, the reunion itself, is carefully staged to draw the eye through a complex series of archways. Editor: Looking at it from a production angle, the deliberate creation of perspective through these varying levels and archways suggests a conscious understanding of architectural space and labor. Each character on those balconies suggests wealth. The image isn’t just representing the prodigal son but displaying social strata. Curator: Precisely. And within the figuration, consider the father’s robes, which give visual weight and reinforce his authority, juxtaposed against the son’s tattered garments. Editor: Those contrasting textures make the familial narrative so powerful. The choice to portray the family’s affluence so visibly—the architectural space, the rich textiles. Everything suggests excess and therefore makes the son's impoverishment even more severe, while further magnifying the act of unconditional forgiveness. I imagine that engraving it by hand would’ve taken quite a considerable time to create! Curator: Absolutely. In terms of artistic treatment, look closely at the body language: the dog mirroring the son's supplicating posture, the servant observing with restrained interest, even the musicians in the background add a layer of societal commentary to this central act of reconciliation. Editor: It’s interesting to see how economic factors and moral parables blend together within these traditional engraving practices. Each mark bears significance not only in portraying figures and forms but echoing an underlying social system of privilege and exclusion, mercy and forgiveness. Curator: A work rich in visual language and allegorical implications! Editor: Yes, it speaks volumes, carved line by carved line!

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