Untitled 1976

Editor: This is an Untitled artwork by Monir Shahroudy Farmanfarmaian. The repeating geometric shapes almost create an illusion of depth. What do you make of this composition? Curator: The tessellated forms demonstrate a clear engagement with geometric abstraction. Note the subtle variations in tone. How do these variations affect your perception of the overall structure? Editor: They seem to emphasize the three-dimensionality, but subtly. It's not a stark contrast. Curator: Precisely. The artist uses minimal tonal shifts to suggest depth and volume, highlighting the interplay between surface and perceived space. The reflective properties of the material contribute to this effect. Editor: That’s interesting. I hadn't considered the reflective quality of the materials. Thanks for pointing that out! Curator: A close reading of form and materiality reveals the artist's sophisticated understanding of visual perception.