1923 - 1924
Studie af soldat liggende på ryggen set forfra i stærk forkortning
Listen to curator's interpretation
Curatorial notes
Niels Larsen Stevns made this study of a soldier lying on his back in strong foreshortening, using graphite on paper. There’s an intimacy to this drawing because it feels like a quick, spontaneous study. You get the sense of the artist thinking through the form as he's drawing. The lines are tentative, searching. The texture is soft, almost like a charcoal drawing. There's a lot of smudging and blending, which softens the overall effect. Look at the way Stevns has rendered the soldier's head. It's almost like a scribble, but it perfectly captures the angle and the weight of the head. It’s these little moments that really bring the drawing to life. This piece reminds me a little of Käthe Kollwitz, another artist who was deeply interested in the human figure and the emotional power of line. I love how art is an ongoing conversation, where artists build on each other's ideas and push the boundaries of what's possible.