print, engraving
portrait
baroque
old engraving style
figuration
engraving
Dimensions: height 173 mm, width 122 mm
Copyright: Rijks Museum: Open Domain
Curator: Looking at this, I'm struck by the texture. All those fine lines of the engraving... it gives such a formal impression, doesn't it? Editor: Formal, yes, but almost claustrophobic. The oval frame, the weight of the text above and below—it feels like peering into a tightly wound world. Curator: Quite. What we have here is a print, specifically an engraving, titled "Portret van Christoph Welhamer," created in 1645 by Peter Troschel. Note how the baroque style manifests itself. The composition is designed to create a sense of the sitter's importance. Editor: Welhamer seems a stern, no-nonsense kind of man. Holding what I imagine is a bible close to him. Like a subtle threat. And that ruff collar… gives me the shivers, like he can’t move his head much at all. I'm imagining him as incredibly strict. Curator: The collar, although restricting by modern standards, was indicative of status at the time. And observe the inscription—it suggests, even concedes, that the engraving, for all its skill, cannot fully capture Welhamer's essence. Consider this in the light of semiotics, how does the artist seek to reveal essence, but concedes its failure. Editor: Clever. The inscription is definitely softening his presence. So the stern guy softens a little? The overall impact—the ornate border, the Latin text, his guarded expression… the print breathes importance, certainly. I do wonder if Welhamer approved! Curator: A good question. Certainly this object reflects the period's sensibilities regarding representation and social standing. I see the sharp contrasts, too, as reinforcing this, particularly the dark clothing and light skin. Editor: Absolutely, the contrasts highlight details and textures, making you linger over the man himself. I must admit, although the formality gives me the creeps, I do like that you feel a bit as though you are observing him without him noticing you. Curator: So, from careful lines and clever compositions, we now look at a portrait beyond pure representation, one imbued with life through detail and even imperfection, in spite of itself! Editor: In spite of itself. And a man, in spite of time, staring back at us with a hint of untold stories.
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