Gezicht op de waterval van Pichoux by Anonymous

Gezicht op de waterval van Pichoux 1810

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drawing, pencil, engraving

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pencil drawn

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drawing

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landscape

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waterfall

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romanticism

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pencil

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engraving

Dimensions: height 161 mm, width 117 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this drawing is called "Gezicht op de waterval van Pichoux," or "View of the Pichoux Waterfall," from 1810. It looks like it's a pencil drawing, maybe even an engraving? There's this overwhelming sense of nature's power, even in its delicate execution. What catches your eye, what story do you think it’s trying to tell? Curator: Oh, isn't it delightful? It feels almost like peering into a dream. You see how the artist uses those delicate pencil strokes to conjure up the sheer force of the waterfall, juxtaposed with those tiny figures down at the bottom? It's as if they're saying, "We are but specks in the grand scheme of nature!" The Romantic period just loved this contrast. Do you get a sense of that Romantic ideal in the scene? Editor: Absolutely, there's definitely that sublime feeling – the awe and terror combined. But why waterfalls, specifically? Were artists obsessed with them back then? Curator: In a word, yes! Waterfalls became potent symbols of untamed nature, of the picturesque ideal that Romantics chased with such fervor. It also tapped into a deeper longing. People felt estranged from the burgeoning industrial world, so they sought solace in depictions of nature's untouched grandeur. Did that feeling come across to you right away? Editor: Definitely! The artist kind of traps your eyes within the frame with trees and foliage. It’s wild! Curator: Wild is such a perfect word for it! And the scale play, too, with these towering heights looming over those teensy people. Did you notice how they become part of this churning scene? What do you make of it? Editor: It kind of hits home that nature always has the upper hand, which is honestly refreshing. Curator: Right! It’s as if this landscape is inviting us to shed our ego at the doorway, to find ourselves happily humbled and mesmerized by forces greater than ourselves. That is certainly how I would reflect upon this piece. Editor: I’ll definitely be thinking about that next time I'm struggling with deadlines. Maybe I just need a waterfall.

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