ceramic, earthenware, sculpture
sculpture
asian-art
ceramic
earthenware
ancient-mediterranean
sculpture
ceramic
Dimensions: 23 3/8 x 12 3/8 in. (59.37 x 31.43 cm)
Copyright: Public Domain
This "Jar with Tall" was created by an anonymous artist, and its materiality and form invite a formalist's analysis. The piece is defined by a play of light and shadow across its textured surfaces, the rough, earth-toned jar sits atop a tower-like stand, its spherical shape contrasting with the stand’s geometric structure. The rhythmic vertical lines of the stand, punctuated by rectangular openings, create a visual staccato that leads the eye upward. This interplay between solid and void destabilizes our perception of volume and space. The jar itself presents a duality, a gradient from light to dark that could be interpreted as a signifier of earth and sky, or perhaps a metaphor for the passage of time. The use of such simple forms belies a complex interplay of semiotic and philosophical concepts. The artwork invites us to consider the relationship between utility and artistry, challenging any fixed interpretation.
Comments
In the early 300s, Korean potters began constructing multichambered kilns in hillsides. These “climbing kilns,” as they are now known, were capable of reaching temperatures around 2,200˚F, which yielded highly durable stoneware. One of the most commonly produced ceramic forms was a pedestal decorated with pierced, geometric patterns and surmounted with a bowl or jar. Discovered during excavations of tombs and palaces, these vessels are believed to have been used both for utilitarian and ceremonial purposes.
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