Ceremonial over-blouse (sobrehuipil) by Maya

Ceremonial over-blouse (sobrehuipil) 1910 - 1930

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textile, cotton

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textile

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collage layering style

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fashion and textile design

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hand-embroidered

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fabric design

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clothing theme

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pattern repetition

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cotton

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textile design

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imprinted textile

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layered pattern

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ethnic design

Dimensions: 30 x 41 in. (76.2 x 104.14 cm)

Copyright: Public Domain

This sobrehuipil, or ceremonial over-blouse, was crafted by Maya artists, although its precise date and the identity of its maker remain unknown. Such textiles offer insights into the social and cultural values of their creators. The intricate patterns and designs woven into the fabric aren't merely decorative; they're visual codes, carrying cultural references and historical associations specific to the Maya people. This garment would have been worn during important ceremonies or rituals, signaling the wearer's status or role within the community. The creation and use of such textiles are deeply embedded in the social structures of Maya society, reflecting the community's beliefs, history, and collective identity. Understanding the meaning and significance of this sobrehuipil requires historical research into Maya culture, beliefs, and social organization. By studying such artifacts, we can gain a deeper appreciation of the social conditions that shape artistic production.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

This sobrehuipil's horizontal bands of burgundy and gold are hallmarks of huipiles from San Pedro Sacatepéquez. Symbolic of longevity, the distinctive pattern is associated with the sacred ceiba tree, the axis mundi that connects the upper, middle and underworlds. The typical ceremonial sobrehuipil from San Pedro Sacatepéquez was fabricated in two panels, hand-embroidered down the center, and left open at the sides. This huipil is unusual in that it retains none of those characteristics. Even more unusual is the inclusion of a non-matching third panel, seen at right. The reason for its inclusion is unclear, but perhaps the owner lovingly pieced together a new garment to salvage a worn but sentimental huipil. She then creatively adorned her new huipil with imported lace and ribbon.

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