Gevecht bij de sluis van Vreeswijk, 1585 by Frans Hogenberg

Gevecht bij de sluis van Vreeswijk, 1585 c. 1587 - 1591

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drawing, print, paper, ink, pen, engraving

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drawing

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aged paper

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toned paper

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medieval

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print

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pen sketch

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sketch book

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landscape

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paper

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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genre-painting

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history-painting

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northern-renaissance

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sketchbook art

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engraving

Dimensions: height 217 mm, width 284 mm

Copyright: Rijks Museum: Open Domain

Curator: This tightly packed scene from the Rijksmuseum, “Gevecht bij de sluis van Vreeswijk, 1585”, or "Battle at the Vreeswijk Sluice, 1585," created circa 1587-1591 by Frans Hogenberg, feels… chaotic! A swirling mass of tiny figures battling it out. Editor: Exactly. There is a remarkable sense of immediacy for a historical document. The eye dances all over. Compositionally, look at how Hogenberg employs line— it directs our gaze from the lower left to the upper right, mimicking the kinetic energy of the battle itself. Curator: You put it perfectly—energy. For me, this isn't just history; it’s about capturing the wild frenzy of conflict. Notice the aged paper— it amplifies the historical feel and emphasizes the chaotic moment, imbuing the image with a raw, unfiltered realism. Editor: The strategic deployment of vertical and horizontal lines organizes chaos, though. The lines of the fort, the palisade, and the river, serve as visual anchors around the whirlwind. Curator: I am not so sure. To me the tiny houses in the distance and puffs of smoke suggest something is very wrong and disordered in their world. These weren’t the days of crisp, formal uniforms— their armor, dress and bearing must have had an affect, in concert. This reminds me more of war in my time: frightening, frenetic, confusing. Editor: True, true. Look, Hogenberg's masterful use of pen and ink— those short, quick strokes capture the brutality of each skirmish, the sense of relentless, close-quarters combat. What a masterstroke of condensed, yet expressive linework, no? Curator: Absolutely, especially for the period. Now that you mention it, the medium helps convey its spirit too, you see? Think of it— a sketchbook drawing from the Northern Renaissance freezing such a ferocious skirmish… incredible! I keep coming back to this tiny piece: the raw feeling makes it strangely modern and deeply resonating to anyone picking up on war even now, don't you think? Editor: Precisely. It underscores art’s capacity to make abstract concepts concrete; time and distance shrink away when confronted by an enduring struggle captured with such vitality. This piece allows us to scrutinize warfare.

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