The Shepherdess of the Alps 1809 - 1812

Evelina Hull stitched 'The Shepherdess of the Alps' in the early 19th century, likely as a student at Charlestown Academy. Its idyllic scene reflects the influence of European pastoral traditions on American art and education. Embroidery like this was a common accomplishment for young women of the era, signaling refinement and domestic skills. But Hull's work goes beyond mere decorativeness. The composition borrows from popular imagery of the time, presenting a romantic vision of rural life far removed from the realities of a rapidly industrializing America. The “Alps” setting, though geographically inaccurate, adds a layer of European sophistication, fitting for a young woman being educated in the classics and fine arts. By signing her name and school, Hull acknowledges the institutional context that framed her artistic production. This piece speaks to the complex interplay between education, gender, and social expectations in early America. Further research into the Charlestown Academy's curriculum and the social backgrounds of its students would help us fully understand this work as a product of its time and place.