Page of Calligraphy from a Shahnama (Book of Kings) 1585 - 1635

Editor: Here we have "Page of Calligraphy from a Shahnama (Book of Kings)," created sometime between 1585 and 1635. It's ink, colored pencil, and paper. The detail in the script is striking, although I can't read a word of it! What draws your eye to this particular page? Curator: My attention is drawn to the overall balance. Note the confident framing; the outer border is not quite even but it still lends definition. See how the internal divisions of the text are balanced with their relation to the page? There's a careful calibration between script and void. The columns of text operate almost as architectural supports. Do you see that tension? Editor: I think so... It's like a building, each column is sturdy and holds up the page. I see the whole thing feels contained. But if it's supposed to be like architecture, shouldn't it be precise and neat? It’s clearly quite worn. Curator: The slight asymmetry only heightens the visual experience. The page is a testament to surviving through time. The damage to the outer border reminds us of its materiality, its physical existence. If it were pristine, would it have the same impact? Editor: I see what you mean. The imperfections make it feel real. The design still works, even after all this time and damage! I focused on the script at first, but the framing really makes it feel complete. Curator: Exactly. Form and function united through careful balance. What started as simply script became art.