Isaak en Rebekka bespied door Abimelech 1696 - 1727

Matthijs Pool made this print, "Isaak en Rebekka bespied door Abimelech," using engraving, a process of incising lines into a metal plate, likely copper, which is then inked and printed. The precision of the engraved lines dictates the work's visual texture, from the robust architectural details to the intimate portrayal of Isaac and Rebecca. Engraving requires immense skill and time, reflecting a significant investment of labor. The clarity and detail achieved through this method were highly valued, appealing to a market that appreciated both artistic skill and the narrative being depicted. The print's ability to disseminate images broadly was a powerful tool in the 18th century, connecting viewers to biblical scenes like this one. By focusing on the materiality and making of this print, we can move beyond its subject matter, and appreciate the artistry and cultural context in which it was created, blurring the lines between craft and fine art.