Medal commemorating the marriage of Mary, Queen of Scots to the Dauphin Francis of France, with seals and signet rings relating to Queen Mary below (from "A Souvenir of the Abbey and Palace of Holyrood") 1849

This print by John West commemorates the marriage of Mary, Queen of Scots, to the Dauphin Francis of France, showcasing a medal and signet rings. Produced in 19th century Britain, this image reflects a fascination with the past, a common theme in Victorian art and culture. The detailed rendering of the medal and seals points to the era's antiquarian interests and the rise of historical societies dedicated to preserving and studying artifacts. These objects are presented not merely as historical relics, but as symbols of power, legitimacy, and dynastic continuity. West’s print speaks to the Victorian era's complex relationship with its own history, and the perceived romance of monarchy. Understanding this image requires us to delve into the social and institutional contexts that shaped its production and reception. In doing so, we can appreciate how art like this played a role in shaping cultural memory.