Eenentwintig borstbeelden van mannen en vrouwen by Daniel Nikolaus Chodowiecki

Eenentwintig borstbeelden van mannen en vrouwen 1774

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drawing, pen

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portrait

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drawing

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sketchwork

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pen

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genre-painting

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academic-art

Dimensions: height 73 mm, width 158 mm

Copyright: Rijks Museum: Open Domain

Curator: The Rijksmuseum holds this fascinating drawing titled "Twenty-One Busts of Men and Women" crafted in 1774 by Daniel Nikolaus Chodowiecki, using pen on paper. Editor: Immediately, I’m struck by the sheer variety of individuals captured here. Each portrait, though small, offers a unique glimpse into 18th-century life. I notice their aging progress, each bust a different step forward, marked with the wrinkles of their years. Curator: It’s interesting to view these through an intersectional lens. Consider the socio-economic implications behind their attire and hairstyles. Some boast elaborate wigs and fashionable clothes, indicative of a certain social standing, while others appear more modest, suggesting different lived experiences rooted in class. Editor: Exactly. Chodowiecki's use of pen allows for a delicate and economical rendering of detail. Notice the marks on the page, almost like annotations of social performance. Curator: I also wonder about the identities of the people in the images and how representative the collection is as a snapshot of a certain time. Considering prevailing gender norms of the time, what can we discern about women's roles, captured only in profile in their various styles and coverings? How do we interpret them today through modern perspectives on gender? Editor: We could even analyze the labor that produced such precision and attention to detail and the potential use cases for such a detailed and vast character index from an academic standpoint. Was Chodowiecki training? Studying types? Were these characters sketched for transfer into a larger production? Curator: It's an insightful view into a moment of radical self-reflection for this period and culture, raising many points on individuality, status and age in 18th century life. Editor: And even how artistic practices could become exercises in classifying and understanding the social landscape through careful labor and skill. It's almost like social cartography through portraiture.

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