Figuur bij een appelboom 1682

This print, *Figuur bij een appelboom*, was made by Arnold Houbraken, probably in the early 18th century, using the technique of etching. The image is defined by incised lines, where acid has bitten into a metal plate, probably copper, and the ink settles into these grooves before being transferred to paper. Look closely, and you can see how the artist has used hatching, building up many fine lines to create tone and shadow. Note the contrast between the solid dark lines of the figure in the foreground, and the more delicate lines used to depict the foliage of the apple tree, and the landscape in the distance. This kind of printmaking was an important means of disseminating images at the time, almost an industrial process. It allowed for the relatively quick and inexpensive reproduction of images, making them accessible to a wide audience. By focusing on the material process of etching, we can better understand how Houbraken's work contributed to a broader culture of knowledge and image production.