Letter D in een omlijsting met een voorstelling van David die door Samuël tot koning wordt gezalfd by Anonymous

Letter D in een omlijsting met een voorstelling van David die door Samuël tot koning wordt gezalfd 17th century

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drawing, print, ink, engraving

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drawing

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aged paper

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toned paper

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medieval

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narrative-art

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print

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old engraving style

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hand drawn type

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figuration

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personal sketchbook

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ink

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pen-ink sketch

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ink colored

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pen work

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sketchbook drawing

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sketchbook art

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engraving

Dimensions: height 54 mm, width 54 mm

Copyright: Rijks Museum: Open Domain

Curator: Good morning. Today, we’re observing an engraving from the 17th century: "Letter D in een omlijsting met een voorstelling van David die door Samuël tot koning wordt gezalfd," which translates to "Letter D in a frame with a representation of David being anointed king by Samuel." It’s attributed to an anonymous artist. Editor: Wow, it feels like peering into a tiny, incredibly detailed dream! The scene crammed into that 'D' feels so lively and… holy, I guess is the word. Curator: Precisely! Note how the composition is cleverly integrated within the letterform. The serifs provide visual anchors for the groups of figures on either side of the anointing. Editor: And the landscape! I see these meticulously rendered trees and mountains fading into the background on the right. It gives depth to such a compact scene, almost like a stage setting. It's amazing all these narrative levels co-existing like that. Curator: Observe the medium as well. The engraving technique, the contrast of light and shadow, and the use of line to delineate form contribute to its powerful presence. It also makes very cunning use of positive and negative space in design terms, doesn't it? Editor: It totally does! But, it makes me think… Was this intended to be part of something bigger, like an illuminated manuscript, perhaps? Or was it a standalone piece, a devotional image of sorts? And what other stories or biblical imagery would the rest of the letters hold? Did this particular D have some other, bigger importance in whatever manuscript it came from? Curator: Your point regarding function is astute. Initial letters such as these are quite commonly illuminated. Such elements typically function both aesthetically, ornamenting a page, as well as functionally as aids to navigation in a book. Here, this single print performs the function alone! Editor: I keep picturing it bigger, though. If only it was an epic canvas... Yet maybe the intimacy, all those intricate details packed in a tight spot, amplify the experience. It demands you get closer, invites that connection in an unusual way! I wonder about the patron's thoughts behind something like this and if they enjoyed the sheer volume of small narrative work like I do. Curator: A beautiful sentiment, and certainly an interpretation grounded in both history and visual language. Thank you. Editor: My pleasure. Thank you. What a powerful little glimpse of artistic interpretation!

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