The Annunciation by Gabriel Hornstain

The Annunciation 1639

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drawing, print, intaglio

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drawing

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baroque

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print

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intaglio

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figuration

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history-painting

Dimensions: sheet: 8 1/8 x 7 15/16 in. (20.7 x 20.2 cm)

Copyright: Public Domain

Curator: Oh, this piece! Gabriel Hornstain's "The Annunciation," dating back to 1639. It's an intaglio print, currently residing at the Met. Look at how contained it feels despite the dynamic Baroque energy. Editor: It's like a dream unfolding on a cloudy day. So much softness. It feels almost muffled, as if the divine event is trying to be quiet. All those cherubs hovering in the top quadrant almost smother the central scene with their presence. Curator: That circular top quadrant acts as a vortex of heavenly hosts. The visual weight focuses everything downwards towards Mary's quiet reception. Do you find it crowded? Editor: Perhaps “lush” is a better word. Symbolically, I can't help but focus on the lily. Hornstain uses it to brilliant effect. It stands starkly, almost clinically pure, amongst the billowing drama of it all. A symbol of purity, naturally, but also, new beginnings—it has that fresh almost chemical promise to it. Curator: And look at how Hornstain stages the angel. Rather than presenting the lily directly, it's held aloft, part of a larger gesture of arrival, presentation, almost command. Note the halo surrounding Mary: a simple circle implying light, perfection, and separation from mortal woes. Editor: I find the choice to depict the angel in armor fascinating. It adds such weight to the whole scene. We so often forget the martial aspects, and his depiction pulls the event back into worldly affairs. The intaglio technique lends a certain drama too; all those sharp lines adding a dynamic tension. It avoids sentimentality through form, which is genius. Curator: Yes! The texture adds so much to the theatrical lighting and mood. I appreciate that this print allows many to meditate upon this powerful moment in a tangible and repeatable format, not just limited to the wealthiest patrons who could afford paintings. Editor: Ultimately, this piece gives us a sense of possibility – maybe a chance at change? It asks, will we step towards our own lilies? Curator: A delicate scene filled with symbolism that continues to resonate. Thank you for unraveling some of its meaning for me!

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