The Actors Ichikawa Danjuro II and Ichikawa Monnosuke I c. 1720
print, woodblock-print
asian-art
ukiyo-e
woodblock-print
Dimensions: 31.6 × 15.0 cm
Copyright: Public Domain
Curator: Here we have a woodblock print by Torii Kiyonobu I, made around 1720. It's titled "The Actors Ichikawa Danjuro II and Ichikawa Monnosuke I". It resides here at The Art Institute of Chicago. Editor: The linear quality and subdued colors give this such an understated feel despite its ostensible subject matter. Curator: Well, it depicts famous Kabuki actors. Their lineage is significant in shaping popular culture. It represents their influence and how theatrical culture permeated society at the time. The actors here shown playing instruments hint to the performance, the social status implied by their attires. Editor: The woodblock process itself is really interesting. Each color demands a different block—multiple layers of labor to produce an image intended for relatively wide distribution. It makes one think about craft and commodification early on. Curator: Indeed, the *ukiyo-e* prints had such an interesting position, as both artworks and promotional materials for Kabuki plays. Consider how it mediated and immortalized stage characters, making those actors into superstars. Editor: Look at the detail put into these robes! All these geometrical patterns... one may guess the prints were not that "affordable" for everyone... or were they? Curator: While we could argue about 'affordability' – certainly cheaper than commissioning a painting! Mass production means more accessible imagery and celebrity endorsements, an idea very familiar to us today. They sold the reproduction of moments in theatre to the elites as well as to broader audiences. Editor: And seeing it now, as a precious artifact in a museum, it transforms again. That cycle of labor, production, celebrity, and consumption—fascinating. Curator: So from playhouses to museums, this artwork really encapsulates an interesting interplay of social history, fame, and material culture, wouldn't you say? Editor: Definitely. The physicality of the woodblock really centers all those ideas around process and purpose of material reproduction, in such a wonderful dance!
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