From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products by Allen & Ginter

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products 1887

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drawing, print

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portrait

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drawing

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girl

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character portrait

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print

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19th century

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watercolour illustration

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genre-painting

Dimensions: Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm)

Copyright: Public Domain

Editor: Here we have "From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products," dating to 1887. It's a print – a drawing, I believe – of a young girl. It’s so… formal. Almost unsettling to see a child presented this way, especially in service of a tobacco product. What do you see in its construction? Curator: Intriguing piece. Focusing on formal aspects, we see a very controlled composition. The girl is centrally located, creating a symmetry that lends to the stiff formality you mentioned. Notice how the vertical stripes of her garment compete with the text next to her; her adornments disrupt what would be the softer pastel of the composition. The textural contrast between the smooth skin and the elaborate ruffles and hat is deliberate, don't you think? Editor: Absolutely, it's a calculated contrast. The softness of her face versus the rigidity of the clothing... it almost feels like she's trapped in a costume. The palette itself, despite its pastel leanings, has a slightly muted, almost melancholic tone. Do you think that colour palette is relevant? Curator: Yes. Look how the colors do not blend smoothly; each maintains a subtle but stark distinction, and reinforces the overall sense of restrained energy. Note also the use of line. Every contour is clearly defined. Nothing blurs. Is this, in its own way, symbolic? Editor: I never would have considered this promotional print worthy of such a detailed breakdown. This really offers a different understanding of art beyond just paintings or sculptures! Curator: Precisely. The study of form allows us insight across any kind of material object. I've learned new avenues for exploration by examining what others might consider kitsch.

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