Forward, March, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands 1888
drawing, print
portrait
drawing
art-nouveau
caricature
watercolour illustration
portrait art
watercolor
Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)
Copyright: Public Domain
Curator: This piece presents an intriguing blend of commercial and aesthetic sensibilities. It is a card from the "Parasol Drills" series by Allen & Ginter Cigarettes, dating back to 1888. Editor: Well, first blush? The subject, rendered in watercolor, possesses a charming elegance. It's an image of gentle pastels. Curator: Indeed. The Art Nouveau influence is evident in the flowing lines and delicate ornamentation. Note how the figure's pose, coupled with the tilt of the parasol, creates a dynamic tension within the frame. Editor: Considering its function as a cigarette card, how do we read its purpose within the wider culture? Cigarette cards often presented idealized versions of the world. The image subtly reinforces consumer desires and aspirational lifestyles of that era. Curator: Certainly. The very material--printed lithograph over paper--speaks to its mass-produced nature. But, look closely. The layering of the colors to create volume. And there is the detail of the face; so much information. Editor: Right. The colors themselves. Pastels convey both wealth and femininity. The subject appears elevated, sophisticated even; however, her direct, perhaps unyielding stare provides both access and tension. The text itself "Forward, March" implies the social standing the targeted buyer ought to have. Curator: Perhaps we see her adornment and expression not only as capturing femininity but as symbolic of power; a soft declaration in an assertive gaze. There's an intersection here where the design choices elevate commercial intent through artistry. Editor: These cigarette cards, although ephemera of their time, present unique historical records. The image invites a conversation about desire, status, and representation as much as composition and application. Curator: I concur. Studying such images illuminates not just an artist’s intention, but also society’s desires, as shaped by both commerce and cultural production.
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