Entry of Henry IV into Paris c. 19th century

Curator: Before us, we see Paolo Toschi’s "Entry of Henry IV into Paris." Editor: The print is overwhelmingly active; the eye struggles to find a place to rest amidst such bustling commotion. Curator: Indeed, the composition, though dense, uses a masterful play of light and shadow to guide the viewer through the unfolding narrative. Notice how the triumphal arch serves as a framing device. Editor: Beyond the aesthetic, one wonders about the socio-political climate that led to such a celebratory depiction of royal power. What materials facilitated this image's dissemination and who were its intended consumers? Curator: The artist certainly employs a range of tonal values to create a sense of depth and grandeur. Editor: I can't help but think about the engraver’s labor. Curator: Ultimately, Toschi's print is a fascinating study in visual rhetoric. Editor: And an echo of forgotten labour practices.