Spona de Libano (The Bride of Lebanon) 1891

Edward Burne-Jones painted *Spona de Libano* with oil on canvas, a medium historically associated with the high art tradition. Yet, if we look closely, Burne-Jones has used these materials to create a world of flowing drapery, of swirling patterns, and elongated figures, not entirely unlike the aesthetics of textiles, tapestries, or even stained glass. The painting has a definite social significance, especially when considering Victorian society's strict moral codes, and the expected role of women. The artist’s expressive use of line and color is very striking. The painting reflects a clear sensibility towards the decorative, creating a sensuous appeal. Burne-Jones was actively trying to elevate the status of decorative arts, challenging the hierarchy that privileged painting and sculpture. So, next time you see a painting, remember to look beyond the surface and consider the artist’s engagement with materials, techniques, and ideas related to craft and design.