Samuel F. B. Morse by Mathew B. Brady

Samuel F. B. Morse 1868 - 1872

0:00
0:00

photography, gelatin-silver-print

# 

portrait

# 

print photography

# 

photography

# 

gelatin-silver-print

# 

men

Dimensions: Image: 3 3/8 × 2 1/16 in. (8.5 × 5.2 cm)

Copyright: Public Domain

Editor: Here we have a gelatin silver print, “Samuel F.B. Morse,” taken by Mathew Brady, sometime between 1868 and 1872. I’m immediately struck by how posed and formal it is, yet somehow also quite intimate. What jumps out at you? Curator: It's interesting you mention that feeling of intimacy. Considering photography's rise in popularity during this period, particularly its accessibility as portraiture for the middle class, these images take on a socio-political weight. Brady, while celebrated, ran his studio as a business. How does seeing this portrait in light of the popularization of photography change your interpretation? Editor: Well, knowing it's a gelatin silver print does make me consider its mass production, and the potential for this image to reach a wide audience. But I'm still curious about the subject himself, Samuel Morse, adorned with these medals... Curator: Exactly! Those medals are incredibly important visual markers. Think about it: photography, at the time, was vying for artistic credibility. By visually linking Morse – an inventor, a public figure – to established systems of European honor, Brady uses Morse's public role to legitimize the photographic process. It's about claiming cultural relevance. How do you think the artistic elite viewed this? Editor: That's a perspective I hadn't considered! Perhaps it was a strategic move to elevate photography's standing in the art world by associating it with recognizable social structures, like honorific medals, in order to signal legitimacy to viewers. Curator: Precisely. It’s not just about capturing a likeness; it's about situating that likeness within a broader cultural narrative. We can learn a lot about how museums, galleries, and the politics of imagery itself, help promote both art and portraiture to a larger audience. Editor: I definitely agree. I’ll definitely remember the political element in portraiture going forward. Thanks for the insight! Curator: A great consideration! Always keep in mind that artworks can both represent culture and shape it in real time!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.