Gezicht op de Fontaine de la Samaritaine in Fribourg met kinderen ervoor 1897

This photograph of the Fontaine de la Samaritaine in Fribourg was taken by Ernest Lorson. Its monochrome palette invites us to consider the technical processes and cultural context of photography in the late 19th and early 20th century. Developed through darkrooms and chemical solutions, this image is not only a visual representation, but also an artifact imbued with the labor of its production. The stark contrast and rich tonal range showcase the materiality of photography itself, highlighting the artist's manipulation of light and shadow to capture the essence of the scene. The presence of children around the fountain also speaks to the social dynamics of the time, offering a glimpse into daily life and community interactions. It reminds us that photographs are never neutral; they are always constructed representations, reflecting both the maker's perspective and the prevailing social conditions.