Portret van Johannes von Müller by Johann Michael Siegfried Lowe

Portret van Johannes von Müller 1766 - 1831

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drawing, graphite

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portrait

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pencil drawn

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drawing

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neoclassicism

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pencil sketch

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old engraving style

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graphite

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pencil work

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watercolour illustration

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academic-art

Dimensions: height 143 mm, width 104 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a portrait of Johannes von Müller, created between 1766 and 1831 by Johann Michael Siegfried Lowe. It's a drawing, done with graphite – very delicate, almost like an old engraving. It feels very… serious. A profile view, meticulously rendered. What strikes you most about this work? Curator: The delicacy is precisely it, isn't it? There’s a quietness here, a studious air about Herr von Müller. It's more than just a portrait, it's almost an intimate glimpse. Do you notice the miniature scene beneath the portrait? What story do you suppose that tiny ensemble is enacting? Editor: I hadn’t really paid attention! They look like they're dancing or celebrating...something quite joyful compared to his serious profile above. Is there a connection, perhaps a contrast, that Lowe was trying to highlight? Curator: Precisely! Lowe was quite clever here. The austerity of the neoclassical portrait contrasts beautifully with the carefree figures below. Perhaps it's Lowe’s playful commentary on Müller's life, his public persona versus private joys. Art is, after all, just a mirror, and what we choose to reflect… that's the riddle. And how skillfully Lowe captures that ambivalence through the juxtaposition of sober form and lighthearted narrative. It is quite bewitching, wouldn't you say? Editor: Absolutely! Seeing that little scene definitely shifts my perspective. I initially saw it as just a serious portrait, but it's got so much more going on. It really gets you thinking. Curator: That tension, that delightful push and pull, is where the magic happens, isn't it? It nudges us to ponder, to ask, to reimagine… and isn't that what great art should do? It starts a conversation, long after the artist has put down their graphite. Editor: Definitely, I'll never look at portraits the same way!

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