Dinerzaal in het Stadhuis van Manchester by J. McLeod

Dinerzaal in het Stadhuis van Manchester 1877

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print, photography, gelatin-silver-print

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aged paper

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homemade paper

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paper non-digital material

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paperlike

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print

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sketch book

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landscape

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photography

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gelatin-silver-print

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thick font

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handwritten font

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thin font

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realism

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historical font

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small font

Dimensions: height 202 mm, width 150 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a gelatin silver print from 1877 by J. McLeod titled "Dinerzaal in het Stadhuis van Manchester," which translates to "Dining Hall in the Manchester City Hall." It's interesting to see a photograph presented like an open book. The tones are quite muted and somber, even for a historical piece. What strikes you about the composition of this image? Curator: The stark juxtaposition between the photographic plate and the facing text is particularly striking. Note the photographer's use of a sharp vanishing point. This, coupled with the texture of the rug, creates a powerful illusion of depth despite the flattened perspective inherent in photography. Observe how the archway acts as a framing device, drawing the viewer’s eye deeper into the space. Editor: It almost feels theatrical, like a stage set. Are you referring to how the photograph imitates painting in terms of visual composition, as if trying to appear high-brow? Curator: Precisely. This pictorial strategy was a common artistic convention employed by photographers of the period. There's a deliberate control of light, focusing the illumination on specific areas to guide the eye and emphasize the architecture, as the textures appear enhanced and meticulously delineated. Notice the red lines mimicking the red in the furniture and walls. Editor: Now that you mention the textures, I can certainly see them clearly! It's almost like he wanted us to know every detail of the room. Curator: Consider how this level of detail impacts our interpretation of the space itself. Does the relentless documentation reveal the grandeur of the dining hall, or does it, perhaps, expose its potential emptiness? Editor: That's an interesting question. The formality definitely gives off an air of emptiness, and I hadn't considered the tension created between revelation and alienation, or what that tension creates beyond surface value. Curator: Indeed. The careful balancing of elements invites such introspection. I think, on consideration, there are definitely competing feelings at play!

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