Monsieur sera très bien ici... 1870

Editor: This is Honoré Daumier’s lithograph, "Monsieur sera très bien ici…," created in 1870. The subdued tones and rather caricatured figures create a darkly comedic mood for me. What do you make of it? Curator: Well, given that Daumier worked during a turbulent period in French history, a time of significant political and social change, his work often critiques the bourgeoisie. This lithograph appears to satirize societal attitudes of the time. How do you think it does that? Editor: Possibly by portraying the figures in an exaggerated and slightly unflattering way, mocking their pretentiousness. One man is elaborately dressed, whilst the other points to the window in an assured way, implying, “Here, you’ll be satisfied”. What do you think is the role of such satire? Curator: Satire served as a powerful tool, exposing hypocrisy and social inequalities during a time of censorship and political instability. Daumier worked extensively for newspapers and journals; his prints reached a wide audience. The relatively accessible format allows such commentary to disseminate and encourage others to consider the society in which they participate. Editor: That's fascinating! Knowing this adds another layer to my interpretation. It’s no longer just darkly comedic but a pointed social critique, too! Curator: Exactly! By understanding the socio-political context, we can appreciate the print's depth and relevance. His caricatures served not just as art, but as active commentaries in an ongoing social debate. Editor: It makes you realize that art is always intertwined with society! Thanks so much. I see it in a totally different light. Curator: You're welcome! It’s always beneficial to understand that every piece is inextricably linked to its cultural background.