Je ne m'étonne plus si je ne voyais pas mon chapeau ... c. 19th century

Editor: This is "Je ne m'étonne plus si je ne voyais pas mon chapeau ...," a lithograph drawing by Honoré Daumier from the 19th century. I'm struck by the stark contrast between the two figures and the overall feeling of awkwardness. What's your interpretation of this scene? Curator: Well, viewed through a historical lens, this image speaks volumes about social hierarchies and the role of art in reflecting—and often satirizing—them. Daumier was known for his social commentary, and lithography allowed his work to reach a wide audience through inexpensive prints. What social dynamics do you observe? Editor: I see a clear difference in status. The figure on the left is clearly a servant or valet, holding an umbrella, while the other seems to be a wealthier gentleman searching for his hat. The valet almost looks…resigned? Curator: Precisely. This 'resignation' you see hints at the realities of domestic service in 19th-century France. The title, which translates to "I wouldn't be surprised if I couldn't find my hat..." underscores a kind of cynical acceptance of the master’s behaviour, or perhaps just general misfortune. Think about how this kind of image could both reinforce and challenge existing power structures in society. Do you think that by pointing out societal disparities the artist aims to address political concerns? Editor: It’s interesting you point that out. Maybe it’s not just about humor; it is like Daumier is exposing a truth that people are familiar with but maybe don’t openly acknowledge. Now I wonder if Daumier made similar caricatures of different professional dynamics too, such as law or business. Curator: Exactly. And that widespread social critique is what made his work so relevant and important. Understanding the social and political context illuminates his artistic choices and helps us decode his visual narrative. It seems to offer much more than what meets the eye! Editor: I see that now; thanks for pointing it out!