Design for Part of a Wall Elevation with a Balcony flanking an Arch by Faustino Trebbi

Design for Part of a Wall Elevation with a Balcony flanking an Arch 1761 - 1836

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drawing, print, architecture

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drawing

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natural stone pattern

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toned paper

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print

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charcoal drawing

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possibly oil pastel

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charcoal art

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oil painting

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carved into stone

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underpainting

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arch

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watercolour illustration

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watercolor

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architecture

Dimensions: 11 3/4 x 5 1/16 in. (29.8 x 12.9 cm)

Copyright: Public Domain

Editor: Here we have "Design for Part of a Wall Elevation with a Balcony flanking an Arch" by Faustino Trebbi, dating between 1761 and 1836. It appears to be a watercolor and ink drawing of an architectural element. I’m struck by how the artist uses shadow to create depth and give the impression that we are looking at an actual space. What compositional elements stand out to you? Curator: The initial aspect that draws my attention is the orchestration of lines and forms. The precision of the drafted lines create the framework upon which the more ornamental details hang. Examine the fluted pilasters, how the verticality is emphasized to create a sense of ordered space, while the ornate capitals introduce contrast in texture. What relationship do you perceive between the structural and the decorative? Editor: I see what you mean about the contrast. It’s like a grid supporting the more free-flowing elements like the floral arrangement and the garland details. Does the archway at the top act as a way to visually resolve those two approaches? Curator: Indeed. Observe how the curve of the arch echoes in the floral arrangement below, establishing a visual link between the upper and lower registers of the composition. Consider, too, the effect of light and shadow: areas are selectively darkened or lightened to emphasize three-dimensionality and suggest material presence. Note the flat applications of color. Do you find them successful or slightly at odds with the overall precision of the piece? Editor: I can see how the flat wash of color might detract from the detailed line work. Maybe it’s meant to emphasize the overall shape instead of getting lost in the details? I do appreciate the interplay of lines and tonal variation now that you point it out! Curator: Precisely! Formal analysis encourages this very focused attention on elements such as line, color, form, and their interrelationships to uncover meaning. Every detail is interconnected!

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