Drie paardenhoofden Possibly 1812

Editor: Here we have Jean Bernard’s “Drie paardenhoofden,” or “Three Horses’ Heads,” a pencil drawing from possibly 1812. It's quite striking—three studies of horses’ heads, floating against the blank background. What catches your eye? What meaning do you extract? Curator: The clustering of the heads is key, each a variation on a theme. Horse heads are an ancient symbol of power, virility, and untamed nature. What's fascinating here is their presentation – almost like specimens. Bernard dissects the noble beast into studies. What does that suggest to you about early 19th-century attitudes toward animals? Editor: That's a great point. It does feel very clinical, perhaps scientific. There's a distinct lack of romanticism. Is that unusual for animal portraits of the period? Curator: In many ways. Equestrian portraits often celebrated the bond between humans and animals, often conveying ideas of aristocracy and control over nature. However, I wonder about a slightly more esoteric symbolism. The three horses... do they evoke a sense of myth for you, perhaps even alluding to different stages or aspects of the animal's life force? Editor: I hadn't thought of that at all. The varying positions do give a sense of movement, or perhaps phases. It moves away from a clinical study to having multiple meanings and symbolisms of these horses in particular and the animal more generally. Curator: And each of the horses carries similar yet different blazes that emphasize the distinct qualities. Thinking about heraldry, white horses may even point to triumph or a higher spiritual purpose. Perhaps Bernard intended to embed deeper layers of meaning within this study of equine forms, even a nod to Classical art? Editor: I really see the multiple interpretations now, thanks for helping see beyond my initial take! Curator: Symbolism is key! Looking beyond the surface reveals layers of historical context and artistry.