Twee kunstverzamelaars bij een ezel waar een schilder werkt 1869

Léopold Flameng created this print, "Two Art Collectors at an Easel Where a Painter Works," in the 19th century. During this period, artistic and cultural institutions were dominated by men, often at the expense of their female counterparts. Flameng here captures a scene rife with the markers of class and gender. Two men, presumably collectors or patrons, observe a male artist at work. This creates a visual hierarchy, with the artist in a subservient position to his male observers. The setting appears to be a studio, further emphasizing the constructed nature of artistic production, and where the artist's labor is literally on display. What we see is not merely a depiction of a scene but an assertion of power dynamics, where the male gaze and financial backing intersect to define the terms of artistic creation. It's a potent commentary on who gets to create, who gets to judge, and whose stories are told.