Moses and Aaron Before Pharoah, from "Dalziels' Bible Gallery" 1863 - 1881

Edward John Poynter created this engraving, "Moses and Aaron Before Pharoah," as part of "Dalziels' Bible Gallery." Poynter was a celebrated Victorian artist who would later become president of the Royal Academy. During this period, the British Empire was at its height, and imperialist ideologies influenced artistic representations of biblical narratives. Poynter's image reflects this context, casting Pharoah and his court in a grand, imposing light, while Moses and Aaron appear as petitioners. It's a depiction that subtly reinforces notions of power and authority aligned with colonialist perspectives. Consider the figures in the foreground, their postures suggesting a mix of awe and trepidation. How does this contrast with the regal composure of Pharoah on his throne? This artwork invites us to reflect on the dynamics of power, faith, and representation, prompting us to consider whose stories are being told and how they are framed.