Copyright: Public domain
Vajda Lajos made Girl with Candles on paper with oil in 1936. There’s something immediately striking about the way Lajos builds up the image; it’s all about the surface, the marks that create this solemn figure. Look at the texture, especially in the background. The warm orange doesn't sit flat; you can almost feel the movement of the brush, the layering of paint. And then there's the girl herself. Her face is an oval of dark, brooding color, a void in which the eyes and mouth emerge as hints, mere suggestions. It's a face that’s there and not there, a face that haunts. The grid that makes up the body, it’s like she’s trapped in a cage of her own making. This recalls some of Francis Bacon’s later portraits, where the subjects are similarly distorted by geometric armatures. It’s a reminder that art isn't about answers, it’s about the questions we ask.
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