The guitar player by Thiago Boecan

The guitar player 2018

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drawing, dry-media, pastel

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drawing

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abstract expressionism

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figuration

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possibly oil pastel

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dry-media

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geometric

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abstraction

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line

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pastel

Copyright: Thiago Boecan,Fair Use

Editor: We're looking at "The Guitar Player," a 2018 pastel drawing by Thiago Boecan. The strong red background immediately grabs you, and then this dark figure almost explodes out of it, all angles and energy. What jumps out at you when you see it? Curator: I'm struck by how Boecan uses figuration within the framework of abstraction. While it’s tempting to see it through a purely formal lens – color, line, shape – it’s equally vital to consider the socio-political context. Where does this image circulate? Is it displayed in a gallery, online, or somewhere else entirely? Each space affects how the art is viewed. Editor: That's interesting. So the location impacts the meaning? Curator: Absolutely. A drawing like this appearing in a state-sponsored exhibition would have a different resonance than seeing it shared on social media, for example. The art world isn't neutral. Whose gaze is this work intended for? Also, is the title itself suggestive, potentially evoking romantic ideas of guitar players? Editor: The title certainly steers us toward a particular interpretation. What about the drawing itself? Does the frenetic energy tie into this history somehow? Curator: Possibly. We could ask, is this dynamism an attempt to break free from formal constraints, or does it engage with other established forms of abstraction and figuration in Brazilian art? By pushing boundaries, artists enter dialogues with history and often, political debates. What do *you* think? Editor: I never thought about considering social media as a ‘space’ for viewing art with all these added socio-political implications, but that's truly broadened my understanding of the piece. Thanks! Curator: Indeed. And understanding that context helps reveal some of the complex intentions an artist might be trying to get across through their imagery.

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