Strasbourg: The Kehl Bridge by Wenceslaus Hollar

Strasbourg: The Kehl Bridge 1665

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drawing, print, etching, engraving

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drawing

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boat

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baroque

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print

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etching

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landscape

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horse

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line

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engraving

Dimensions: Sheet: 2 1/16 × 4 5/16 in. (5.3 × 11 cm)

Copyright: Public Domain

Editor: Here we have Wenceslaus Hollar's "Strasbourg: The Kehl Bridge" from 1665, currently housed at the Met. It’s an etching and engraving that really captures a slice of 17th-century life. I find it fascinating how detailed it is, considering it's a relatively small print. What stands out to you about this piece? Curator: What immediately strikes me is the image's role as a visual record deeply embedded within the political and social context of its time. Bridges, then as now, were vital arteries for trade and military movement. Hollar, creating this print, wasn't just making a pretty picture; he was documenting a critical piece of infrastructure and the power that it represented. Notice the scale – it emphasizes human activity and engineering prowess, showcasing how landscape became instrumentalized. How do you perceive the relationship between the bridge's function and Hollar’s artistic decisions? Editor: I guess I hadn't really considered it that way. Seeing the bridge as a symbol of power and control is new. I was focused on the everyday scene it depicts: the horses, the figures... So, this wasn't just a scenic view; it was making a statement? Curator: Exactly. And that statement reverberates in the art market too. Prints like this had a public role; they circulated information, shaped perceptions of territory, and reinforced political agendas. The accessibility of prints also made art less of an elite privilege. Now, considering this accessibility, how might this image have affected popular sentiment or the political landscape at the time? Editor: So, it could be propaganda almost? Reaching a wide audience and influencing their views...I suppose I had an old fashioned notion of 'landscape' in art. This helps me understand the visual strategies much more effectively! Curator: Precisely! By appreciating the political and social dimensions of art, especially pieces like "Strasbourg: The Kehl Bridge," we see art as a powerful social agent rather than just decoration. Editor: This gives me so much to think about! It has really made me want to do some deeper research into this piece!

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