Allegory in Honor of the Roman College Founded by the Borghese Family by Claude Mellan

Allegory in Honor of the Roman College Founded by the Borghese Family 1615 - 1688

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drawing, print, sculpture, engraving

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drawing

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allegory

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baroque

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print

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classical-realism

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figuration

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sculpture

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history-painting

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engraving

Dimensions: sheet: 10 7/16 x 14 in. (26.5 x 35.5 cm)

Copyright: Public Domain

Curator: Looking at this engraving by Claude Mellan, executed sometime between 1615 and 1688, titled “Allegory in Honor of the Roman College Founded by the Borghese Family”, one is struck by the layered symbolism typical of Baroque art. Editor: The first thing I notice is how somber and composed it feels, despite all the activity and architectural details. The monochrome palette enhances that sense of restrained solemnity. Curator: Indeed. The artist uses line beautifully to create different textures and levels of detail. Note the carefully rendered drapery on the figures and compare this to the rather smoother surfaces of the classical architecture surrounding them. The contrast gives depth. We have a central figure gesturing towards an allegorical relief – I imagine representing the college – guiding the others into the space. Editor: And the way the artist has positioned the figures – in their costumes with that light – feels as if staged for the viewer’s experience; this image really exemplifies art created and made available for its patrons and for civic communication. Curator: The strategic positioning of statuary is interesting too. One on the left overlooking a garden and another standing firm in the architecture on the right, creating depth and framing for the ensemble. Each of the statues possesses slightly different textural rendering and also thematic value as embodiments of wisdom and tradition. The whole composition employs classical forms to project authority. Editor: One wonders what types of exchanges happen between those depicted – is there one offering patronage? A meeting? – a formal setting such as this surely represents hierarchies. This is art that reinforces power. Curator: Absolutely. It embodies Baroque sensibilities, where allegory and grandeur communicate prestige. Editor: After taking a closer look, the level of control in execution allows Mellan’s engraving to create an almost photographic depth; truly astounding work, and an equally telling insight into the art and production of propaganda! Curator: Well put. Analyzing its forms helps unlock its social role. Thank you for that valuable perspective.

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