Paintings by Marcel Broodthaers

Paintings 1973

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Dimensions: support, each: 800 x 1000 x 18 mm frame: 800 x 1000 mm displayed: 2640 x 3240 mm

Copyright: © DACS, 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: These are "Paintings" by Marcel Broodthaers, undated, mixed media. The nine panels present words and numbers in a delicate script. It's like a fragmented language lesson. How do you approach a work like this? Curator: Broodthaers often critiqued the art market and the commodification of art. Consider this work as a commentary on the value we assign to language and art. The words themselves – "style," "image," "chocolate" – become objects, divorced from their meaning. The grid format, along with the numbers, introduces a system, almost like a classification. What does that suggest to you? Editor: Maybe he’s highlighting the absurdity of trying to categorize something as fluid and subjective as art? Curator: Precisely. Broodthaers challenges the authority of institutions to define art. His use of language is both playful and critical, questioning the power structures inherent in the art world. And? Editor: So it’s not just about aesthetics, but about questioning the whole system. Thanks, this really opens up a new perspective.

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tate 7 days ago

http://www.tate.org.uk/art/artworks/broodthaers-paintings-t03696

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tate 7 days ago

Broodthaers was a Belgian poet and artist who had a lifelong fascination with the work of the Belgian Surrealist, René Magritte. He was particularly interested in those works where Magritte introduced written words to contradict a visual image, and made a number of paintings and prints based on this idea. Such works question the relationship between art and the reality it depicts. This is one of a large series of works each consisting of nine panels and referring to various areas of culture. Here sixteen words refer to traditional paintings, listing for example, 'style', 'subject', 'colour' in French. The way the words are combined in each canvas represents a different painting. Gallery label, September 2004