Portret van Maximiliaan II Emanuel, keurvorst van Beieren by Johann Philipp Thelott

Portret van Maximiliaan II Emanuel, keurvorst van Beieren 1670 - 1671

0:00
0:00

print, engraving

# 

portrait

# 

baroque

# 

print

# 

old engraving style

# 

history-painting

# 

engraving

Dimensions: height 150 mm, width 89 mm

Copyright: Rijks Museum: Open Domain

Curator: Before us, we have "Portret van Maximiliaan II Emanuel, keurvorst van Beieren," or Portrait of Maximilian II Emanuel, Elector of Bavaria. It's an engraving dating from 1670 to 1671 by Johann Philipp Thelott. What strikes you first about it? Editor: It's immediately formal but youthful. The fine lines create this amazing tapestry effect, giving it a precious feel, almost like it's spun from moonlight. Yet, at the same time, there’s this undeniable rigidity in his gaze. Curator: Exactly. The artist, Thelott, clearly wanted to present Maximilian as a figure of authority even in his youth. You see the inscription, the elaborate frame; it's all carefully constructed to emphasize his status. Engravings like these were important tools for disseminating images of power, reproducible and transportable. Editor: And look at the details in his armor—not just a symbol of power, but the labor that went into creating it, the artisans whose skill contributed to this representation of Maximilian. Think of the workshops buzzing with activity, the social hierarchy embedded in the very production of this image. Curator: It’s fascinating to consider how something mass-produced like an engraving could still carry such a weighty symbolic charge. Each line meticulously carved, playing with light and shadow... it reminds me that even replication can possess artistry. The young elector appears confident, maybe even a bit defiant. Editor: I find that “defiance” more an assertion of dynastic destiny than youthful rebellion. The medium itself suggests the limitations of that "defiance." It’s a printed, reproducible image intended for wide distribution to further consolidate the power of this person and those whom he represents. Curator: True, the act of dissemination reinforced the very system it depicted. But in that multiplication, does some nuance get added, perhaps a whisper of humanity beneath the veneer of power? Editor: Interesting thought. Though, for me, the core message always resonates of craftsmanship deployed as a strategy for cultural perpetuation. Curator: Well, that's where our views diverge perhaps. It gives me food for thought. Editor: Likewise. It's in these visual artifacts that echoes of human ingenuity meets the iron fist of power and influence.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.