Portret van Maria II Stuart by Bernard Picart

Portret van Maria II Stuart 1724

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engraving

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portrait

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baroque

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old engraving style

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caricature

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historical photography

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history-painting

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engraving

Dimensions: height 209 mm, width 152 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Portret van Maria II Stuart," a Baroque engraving made in 1724 by Bernard Picart. The intricate detail achieved through engraving is remarkable. How do you read the symbols and imagery embedded in this portrait? Curator: Indeed. The symbols tell a compelling story, don’t they? Consider the pearls. Strands and clusters adorn her hair, neckline, and dress. What does that immediately convey to you? Editor: Purity, perhaps? And wealth. But are pearls always so straightforward in their symbolism? Curator: Exactly! Think deeper. Pearls, born of irritation within the oyster, can also symbolize resilience, wisdom gained through adversity. The Baroque period, steeped in drama and opulence, often used pearls to represent both earthly riches and spiritual transformation. Does the composition strike you as typical for portraying royalty? Editor: Well, she’s in an oval frame, very centered. But, honestly, there’s a rigidity that fights against the Baroque’s supposed dynamism. Curator: Precisely. The artist perhaps wants to convey the composure that’s befitting of her royal role. Also consider that as a print, this would have been widely disseminated. Did you notice the cross ornaments and pendants on her dress? Editor: I did. How do those pieces contribute to the understanding of the image? Curator: Those crosses speak directly to the complex political and religious landscape of the time. Remember Mary II was a Protestant monarch who came to power after the Glorious Revolution, during an ongoing tension between Catholic and Protestant factions. They're also a nod to lineage and divine right, but their deliberate display might also serve to reinforce her religious and political legitimacy. A visual claim of power, wouldn't you agree? Editor: That is powerful; it’s like a visual manifesto, almost. I never thought an engraved portrait could speak volumes about resilience, faith, and political assertion. Curator: That's precisely the power of visual symbols, constantly reshaping themselves across history. We look, we interpret, and the image whispers its stories across time.

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