Fotoreproductie van een gravure van De kruisoprichting door Hans Witdoeck, naar het schilderij door Peter Paul Rubens before 1858

Jean Louis Bargignac created this photogravure of 'The Raising of the Cross', after Peter Paul Reubens, in the 19th century. Note the Virgin Mary, an emblem of sorrow, succumbing to the ordeal. The swoon of the Virgin is a motif that can be traced back to ancient depictions of mourning, like that of dying heroes. Her collapse is not merely a display of grief; it’s a potent symbol echoing through centuries of art. We find it echoed in the Pietà, where she cradles her son. The Virgin’s swoon isn't just an artistic convention; it is a profound expression of human suffering and empathy. This motif has resurfaced, evolved, and taken on new meanings in different historical contexts. It is a testament to the enduring power of images to communicate complex emotions and cultural values across time.