Heilige Matteüs met engel by Anonymous

Heilige Matteüs met engel 1534 - 1640

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print, intaglio, engraving

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portrait

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print

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intaglio

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old engraving style

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figuration

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northern-renaissance

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engraving

Dimensions: height 124 mm, width 90 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this engraving, I immediately sense a strong blend of serenity and purpose. The lines create a surprisingly gentle mood, even with the detail packed into such a small space. Editor: This is ‘Saint Matthew with an Angel,’ an intaglio print held at the Rijksmuseum, dating somewhere between 1534 and 1640. It’s an anonymous piece in the Northern Renaissance style, a period heavily shaped by religious and political upheaval. I think those factors had tremendous effects on what would get published, or not. Curator: Right, that sense of controlled narrative really strikes me. The composition is interesting, Saint Matthew occupies this earthly plane, or what reads as such. He’s also intimately linked with a celestial figure, literally guiding his hand and intellect. It's so potent for considering questions of knowledge and its divine origins. Editor: Exactly! The engraving shows Matthew poised with his pen, ready to transcribe divine will. Prints like this weren't just aesthetic objects, they were critical tools for disseminating religious doctrine, bolstering political arguments, shaping the visual landscape. It had impact on personal, and public life. Curator: And how does access to knowledge factor in, given the nature of the intaglio printing process itself? Editor: I am glad you are considering the nature of the creation and the time! The physical act of creating the plate was highly skilled, wasn’t widely available. These images were commodities. Think about their power to shape belief, and reinforce existing hierarchies. Who got to decide which interpretations were visually amplified? That question continues to resonate today. Curator: It’s so interesting to consider the print’s accessibility within that historical context. Now when viewing art like this it is important to recognize how deeply art from centuries ago speaks directly to present day socio-political and art concepts and ideas. Editor: Absolutely. It reveals the layers of socio-political forces influencing artistic production, demanding careful evaluation of visual imagery and its intended role in its original period and now today. Curator: Thank you. This discussion, viewed through today's contemporary theories is beneficial to us. Editor: I appreciate it too! Thank you for exploring the narrative of Saint Matthew's world and how it impacts us today.

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