Mary, Queen of Scots 1618 - 1628

This engraving of Mary, Queen of Scots, was created by Hans Jacobsen sometime between 1550 and 1650. The print is a fascinating artifact of the religious and political turmoil of 16th-century Europe. The image presents Mary as a royal martyr, referencing her execution in 1587. Note the inscription 'Obyt Anno 1587. Februr 8'. Jacobsen, who worked in the Netherlands, situates Mary within a broader European theater of power. She is titled not only as Queen of Scots, but also Duchess of France. These titles point to the complex dynastic relationships that shaped the era's political landscape. The print serves as a potent piece of propaganda, aimed at evoking sympathy for Mary's cause. Understanding this print requires delving into the history of the Reformation, the power struggles between England, Scotland, and France, and the role of visual media in shaping public opinion. Examining such an artwork through the lens of social and institutional history reveals the complex interplay of art, power, and belief in early modern Europe.