Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "La France" door Augustin Alexandre Dumont c. 1855 - 1857

Edouard Baldus captured this photograph of the plaster model for Augustin-Alexandre Dumont's sculpture "La France," intended for the Palais du Louvre. The figure embodies France through the familiar allegory of a crowned woman holding a sword and a laurel wreath. These symbols speak of justice, victory, and honor. The laurel, especially, evokes a connection to ancient Rome, where it signified triumph and was granted to military heroes. We can see how the image of crowned figures appears repeatedly, from classical depictions of emperors to medieval representations of royalty, each time adapted to convey authority and power. The enduring use of these motifs reflects a deep psychological need to visualize leadership and national identity. The persistence of the laurel wreath, sword, and crown across millennia highlights our human tendency to seek continuity, echoing historical narratives and engaging us in a complex emotional dialogue with the past.