Huis of de Réchauffoir in Le Hameau de la Reine bij het Petit Trianon by Ernest Eléonor Pierre Lamy

Huis of de Réchauffoir in Le Hameau de la Reine bij het Petit Trianon 1860 - 1880

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daguerreotype, photography, albumen-print

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garden

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aged paper

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yellowing background

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landscape

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daguerreotype

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photography

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19th century

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cityscape

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albumen-print

Dimensions: height 87 mm, width 178 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a stereo albumen print dating from sometime between 1860 and 1880, by Ernest Eléonor Pierre Lamy. It's titled "Huis of de Réchauffoir in Le Hameau de la Reine bij het Petit Trianon." Editor: That’s a mouthful! Visually, it whispers of secret gardens and simpler times. There's a certain peacefulness about it, but also a melancholy knowing that such idealized moments rarely last. Curator: Precisely! Lamy’s work, typical of this era, offers a window into the constructed nostalgia of the late 19th century. The "Hameau de la Reine," or Queen's Hamlet, was Marie Antoinette's pastoral retreat—an artificial village designed to mimic rural life. Editor: I'm struck by how staged it feels, even in this photographic image. Look at the careful composition, the placement of the tiny, almost doll-like figures in front of the building, those pruned mini-trees…it's not capturing raw nature but carefully arranging it. The light too. Curator: That sense of artificiality is key. The photographic process itself adds another layer, doesn’t it? This albumen print, with its warm tones and delicate details, romanticizes the scene. This "réchauffoir" or warming house becomes an idyllic space… though surely daily life wasn't so pristine. Editor: Exactly! You're not smelling the mud or feeling the wind, just getting the sanitized, Instagrammable version. It’s the architectural equivalent of Versailles’ powdered wigs and towering hairstyles – appearances matter more than functionality, really. Curator: So, what seems like a simple depiction of a quaint building speaks volumes about the desires and fantasies of a specific time, the desire to escape an increasingly industrialized reality through idealized nature. Editor: It's a gorgeous lie, isn't it? A perfect little world captured just so... and beautifully so! You almost forget the layers of artifice, you're seduced by the serene vision. Curator: Yes. Looking closely really unlocks a complex interplay between reality and illusion. A lovely photograph indeed.

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